Each individual work of art is carefully considered as to aesthetics, cultural heritage, structural integrity and function. As the work is passed down from generation to generation, treatments must be reversible for the future conservator to treat with minimal disturbance of the original structure. Treatment experience, a full knowledge of organic chemistry and materials along with an understanding of artist techniques, is essential for the conservator to make the necessary decisions.
When removing discolored varnish layer, it must be taken into consideration that the artist may have applied subtle glazes soluble in that layer. The use of magnification, ultraviolet light reflectography, and historical research are important tools to aid in this cleaning process.
Belonging to a community of professional conservators is an important asset for the conservator to to share experiences and continue to learn from others in the field.
All treatments are performed in accord with the AIC code of ethics.
